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Wednesday, 4 April 2012

The British Are Coming...

Well, Pascal and I are...
We are passing through NYC next week and will be playing two intimate shows at:

Friday April 13th at Googies Lounge (upstairs at The Living Room), Manhattan, NYC
http://www.livingroomny.com/googies
Saturday April 14th at Cafe Moto, Brooklyn, NYC
http://www.cafe-moto.com/map/

I can't believe how much fan support has been coming from the States - thank you and I hope you can come and see us!

Wx

Monday, 2 April 2012

The Incredible Molly Drake...

Occasionally, some music comes along which is so moving, so beautiful and so inspiring that I am utterly consumed by it, rarely removing it from the CD player, desperately wanting to shout about it from the rooftops and eager to buy every single release by that artist for eternity.
Such is the case with the incredible new release from Bryter Music of the songs of one Molly Drake. What isn't the same in this particular case is the fact that this is the first, and indeed only, album release by her and given that these private recordings were carried out by her husband, Rodney, during the 1950's, we are lucky to have any to enjoy at all.


Her songs, rich in their emotion, profound and joyful in equal measure, were never meant for public consumption. Though Mrs. Drake was a wordsmith and pianist of some incredible talent, not to mention a sophisticated and accomplished poet (there is an additional booklet of some 45 poems included here), she was a private and humble woman, a family audience for her writings were enough for her and she showed no inclination to make her talent available on any public platform.

Though many of the songs and poems were written in places as far off as Burma and India during the 1930's and 40's, where Rodney Drake was employed overseas, these stories and reflections on a life couldn't be more relevant in their ability to convey touching emotion in the modern world. Fear and sorrow, love and death are not confined to specific periods of history and neither are they relegated to the experience of the few - perhaps this is why recordings of this caliber touch us so deeply, even in another place, in another age, people everywhere experience what we do.

It's easy to see how her influence permeated the music of her son, but it would be a mistake to think that Molly Drake's music and poetry are in any way a diluted versions of Nick's. This is the private work, (gratefully made public by her daughter, Gabrielle Drake, and Cally, the caretaker of Bryter Music) of a woman of immense musical craftsmanship, articulation, humour and grace.

Molly Drake needs no shadow to come out from under - here the limelight is all, deservedly, her own.


N.B: I am, extremely excitedly, currently recording several of Molly Drake's songs for a new Willis EP.  Coming, very, very soon....

Monday, 27 February 2012

Fa-fa-fa-freedom...

Lyrics.

After 'Smokescreen' from Come Get Some was used in a US car ad during the recent Super Bowl, so many people have emailed to ask what it is that I'm actually singing.



The truth is I have never put the lyrics to my songs in my sleeve notes - not to be evasive or coy, but because I do not wish to shatter the illusion most people form of what they think the singer is saying and, therefore, what the song is 'about', as it were...

Once the song is out in the public domain, out in the open, it becomes something different entirely and almost belongs to someone else - it's not for me to tell you what the meaning of the song is or that you were wrong when you thought I sang 'believer' instead of 'retriever'.
I can be singing whatever you want me to and, equally it can mean whatever you'd like it to - I make you a gift of it.

Myself, I'm still recovering from the the fact that I thought we were 'perspiring' by the fire, as opposed to 'conspiring' by it in my beloved 'Winter Wonderland' (a song I am content to sing to myself all year round).
And it gave me no end of joy that my own dear mother convinced herself I sang 'You wanna fuck me?' instead of 'You find it funny?' in 'Get In The Ring' from the Uncle Treacle album. Who am I to correct her...?

When we get on to 'meaning' there lies even murkier waters. I once had a favourite poem which gave me great comfort and inspiration until I read a note on the author's website where she corrected and actually berated anyone who had got the wrong end of the stick and thought her words were symbolic of faith and hope in trying times. Crikey, you would've thought her work was being commandeered by the Hitler Youth the way she went on...
When it's out in the public domain, it is not (unless of course the Nazi party are involved) for you to tell people how to feel and think about your work and it's meaning - it can mean what it wants to whomsoever it wishes.

And that is surely the beauty of any kind of art? You take from it what you will.

But here, for those people who've been so supportive and said such nice things about 'Smokescreen', for one night only, are the lyrics.
Don't ask me what they mean. I haven't the foggiest...

Smokescreen

Freedom, desire
What is written
What is read
The tongue burns with fire
Is there a difference between what we say
And what is said?


Solution
I'm able to see through your smokescreen
The cloth on the table is careful
To cover what you mean


Well you can be without it every place that you turn
But can you do without it?
There's a lesson to learn


Free to desire
What was written I have seen
So what's good enough for you, babe
Is good enough for me

Tuesday, 14 February 2012

Light Up A Lip, Kiss A Sweet Mouth Of Trouble...

Ah,  February 14th.

Dividing the masses into two camps of either snarling, baby-eating misanthropes or doe-eyed, baby-talking boobies.

But, whatever your preference, who gives a fig when there's Ernestine Anderson...


Wednesday, 21 December 2011

Happiness Writes White...?


 I recently had a conversation with someone about the link between depression and creativity.

In the midst of discussing the 'unknown realm' that is Recovery, we talked also about the all too familiar fear of the other side of the fence - shielded for so long behind the veil of dense fog that is depression and mental illness what will become of us, and especially our ability to create, if we dare to try and participate in our own well being through care and consideration for ourselves?
It can, and does, often seeming an even more daunting ground upon which to tread and the phrase "better the Devil you know" was probably coined for fear of such icebergs...

The idea that 'Happiness Writes White' has long been a myth perpetuated by a false notion that in order to draw forth one's greatest creative achievement we must somehow fester in a pool of sadness, grief, self-loathing, darkness and despair - the breeding ground of depression and mental ill-health being a perfect pond in which to fish for such inspiration.

It is a lie. And a dangerous one at that.

It is true that, over the years, I have had some wonderful ideas for songs and writings whilst in the depths of my own, at times seemingly never ending, 'despair'. But what is also true is that I was rarely able to bring any of them to fruition or coax from them any semblance of shape or form whilst I continued to be overwhelmed by the Black Dog (or whatever it is that you want to call it).
Alas, I have no memories of myself leaping around like Mozart, creating my masterpiece in the throws of my sorrow - whilst my mind was in the grip of such distorted ideas about myself and the world the act of getting out of bed and washing myself usually took precedence on any given day and not always successfully.

There is, sadly, a perverse romanticism to mental illness, particularly from the outside or amongst those who have never had personal or close-hand experience of it and this romanticism spreads like wild fire throughout the artistic community. The tortured artist radiates passion and proliferation, barely can he get his pen to the paper before a well of ideas flows forth with gusto. An idea is no idea at all unless it has been wrenched from your side - look how he lies in a heap, spent from his outpourings, his body barely able to go on after all he has given...

The reality of incapacitation at this level of depression is paralysis to the point of inertia - nothing is flowing forth, (least of all your life's work) except a deeply entrenched, irrational fear coupled with self-doubt, paranoia and misery.

It makes me almost angry, not to mention extremely sad, to know that this myth is passed down and around the generations, giving creedence to the idea that there are colonies of troubled 'geniuses' the world over pumping out their greatest works because of the malaise infecting their life.
If we are able to give birth to any shred of a promising idea during these deeply unhappy and troubled periods then it is in spite of our affliction and not because of it.

Isn't it a profound mistake to think that if we were to be truly successful and throw aside our confinement - and, make no mistake, depression is a prison as real as any which will confine us as long as we allow it and continue to feed it - that it would somehow result in our 'muse' being struck dumb? Isn't this simply another cruel side effect of the mental debilitation we are already in the grip of?

Being paralysed by thoughts in our own minds that convince us that we are unworthy, unwanted, untalented and uncared for is exactly how we subliminally allow depression to control us in the first place - it is unlikely that depression would simply relinquish it's hold over us without first resorting to trying every trick in the book before it would ever resign itself to the fact that we have wriggled free.
"Why would you head for the portal on the horizon?" says Clever Black Dog, "when to do so would leave your trunk of ideas behind...?"

Keep perpetuating, if you must, the distorted reality that our creative well will run dry if we dare to drag it, through our own love, care and respect for ourselves, in to the light.

But creativity is nothing without a life to go with it.

Saturday, 10 December 2011

Getting Back On The Horse...

Life's been getting in the way and I see it's been a while since my last post...tut tut...

My brother recently got married and Willis' everywhere descended to stare and point in unison with affection.

I had also forgotten that my brother, who has been a fully paid up rockabilly since the age of 17, is the best rock and roll dancer this side of West London.
At a wedding, I don't want to watch people dancing to Lady Gaga, I want to watch people jive. In pairs. To Chuck Berry...



My brother turned his life from shit into sugar.

My brother does not know he is one of my heroes...

Wednesday, 26 October 2011

The Most Beautiful Shop In The World...?




Back at last from Jamboree Distributions Travels around Great Britain, I was at last drawn to the village of Holt in Norfolk to possibly the most delightful retail establishment the UK has to offer.
The one known simply as 'Old Town' has real people, making real clothes, above a real shop in the real county of Norfolk. Now that's something you don't see very often.
Especially not in the real(ly) depressing likes of Primark, et all at any rate - 10 bags of clothes for a fiver makes 10 bags of badly washed landfill come next summer...

Did I mention they were beautiful clothes to boot...?

http://old-town.co.uk/index2.htm